Damn it’s been 8 months already since I first played at BTC. Time flies as they say. What started as a favour has turned into a monthly ritual and some of my best moments in a city that still feels alien a lot of the time. When Goth Trad came to Europe last year, I arranged a gig for him at the Dragon Bar (where I did a monthly open mic session). The night was great, Goth flipped it as expected and he invited me to play at his newly started BTC monthly session in Tokyo when I moved here. An offer I was only too happy to accept. Fast forward to February this year, and my first gig in Tokyo as the guest at the 6th edition of BTC. And I thought it’d be that, but Goth very kindly kept inviting me back, so much so that I’ve ended up playing pretty much every session bar a couple since then, something I definitely didn’t expect but which has been an amazing experience.
BTC has grown a lot since it started last year. With Goth Trad at the helm, who himself has had a pretty incredible year with his popularity and interest in his music blowing up worldwide, alongside Hyaku Mado, Ske, Kaji Peace and Diagram, BTC has become an amazing little night, showcasing the dubstep and grime sounds that have come (and keep coming) out of London (and in the last year or so the rest of the world) to a growing audience of fans. The parties are held at Saloon, which is basically the downstairs bar/room of Unit nightclub, one of Tokyo’s best clubs. And this venue has also been key to the success of the night, as is always the case, giving it an intimate atmosphere which is definitely reminiscent of FWD>> at Plastic People or the early DMZ parties at Third Base. The vibe and people are what makes the night and while these can be quite different from what I’ve experienced in London or Europe, the audience has started to change over the months I’ve been here and witnessed it, gradually becoming more open and a lot more vocal.
I remember when I played in February and both Ella and I remarked that the crowd reactions were totally different to what you’d expect back home. People seemed a little subdued, and their wasn’t a lot of the usual reactions you’d expect at parties like this. Not that it felt like people weren’t enjoying the music, just that maybe they weren’t showing their enjoyment in the same way as people in Europe would. The only people who reacted as you might have expected were the few foreigners who came down ceremoniously every month (Dan I’m looking at you mate! :smile: ). 6 months later when Kode 9 and The Bug toured and played 2 special parties in Tokyo, the crowd went absolutely bonkers and the vibes were most definitely on par with the best parties I’ve been to in London.
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