To go hand in hand with a series of features I’m doing on a new wave of hip hop and electronic producers, which I mentioned a little while back, I’ve finished a mix featuring tracks from these very same producers.
In the past some of that stuff has been labeled glitchy, more recently wonky or bassy even but really it’s not about a term or another box to put things in, to me it’s just some fresh and exciting music. Of all the terms that can be used I like wonky the most because I find that in a lot of cases it does really define the music some of these guys make quite well. But I use the term really loosely and it’s really more of an excuse to mix stuff together which has got me really excited over the last 6 to 12 months. To me all this stuff is really a throwback to the days of the old boom bap, when tracks just made you want to bang your head and break your neck. It’s a real breath of fresh air for hip hop and music in general.
For the last 8 to 10 months I’ve been thinking about a feature I want to write looking at what I’ve come to think of as a ‘new wave of hip hop boom bap.’ Music and producers that have got me excited about stuff again like I haven’t been in a long time, starting somewhere with Madlib and Dilla and culminating in the last few years with the likes of Dabrye, edIT, Prefuse 73 and more recently a whole slew of new producers and collectives.
Like most things in the last 8 to 10 months though, I’ve sat on my arse and never got round to it. That is until about a month ago when I submitted a rough draft of the feature to Serie B who I’d pitched it to. They liked it and want to run it alongside a bunch of interviews with some of the artists mentioned in the feature. Bonus.
And around the same time I finally got off my back and did all this I started seeing other people talking about the same thing, but with slightly different angles. Which not only makes me feel good because I know I’m not the only one feeling like this, but also because it only makes me more inspired and gives me more food for thought over the whole thing.
Finally… after 6 months of gestation inside my brain and another 2 months spent actually putting it together, my new mix is ready. Following on from the mix I put together last year before leaving the UK, this mix covers a lot of different styles and spans 2h25 - because I am actually unable to limit myself to making mixes that are within the usual 70/80 minutes limit. So I’ve decided to keep on making mixes which are a lot longer than usual, mainly because I find it to be a lot more fun than trying to limit myself (not that that’s a bad thing either).
As opposed to the last mix this one was done entirely in Ableton - because I have no decks here. Whereas last time I opted for a mix of both vinyl and digital, and used Ableton to wrap the whole thing together, this time the whole mix is digital (though quite a few tracks were ripped from vinyl on my trusty portable turntable) and done in Ableton. Which has proved more than a challenge at times but has been really enjoyable - on the plus side Ableton allows you to really delve deep into mixing, tweaking and effecting as much or little as you want, yet at the same time this means that you can find yourself getting really anal about things, whereas with a decks mix there is going to be some element of human error, or a human feel to it. I’ve tried to keep some of that in there though, but I’ve also gone deep into the anal side of things, at times managing to mix up to five tracks together and play a lot with eqs, effects etc… Something I couldn’t do live, not only due to skills but also due to not having the equipment. While the majority of files are digital I’ve stuck to using only hi res files, 320 mp3s, wavs and flacs, so the sound quality is still good. This ain’t no iPod mix :lol: Continue reading »
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